![]() To scale a Layer, select it in the Layers panel, then turn off the visibility of the other layer by clicking the eyeball icon. To remedy problems of scale, you can scale the background layer using the Transform tool, and then use the Crop tool to remove excess background pixels. Here the background shot has wave patterns slightly larger because of the focal length and distances involved with the shot. Another thing we need to consider is the scale of the waves in the foreground layer versus the background. Looking at the second problem first, it’s clear from Figure2 the background layer is taller than the foreground layer because of edits made in Lightroom. The first step when replacing parts of one image with a corresponding region of another image is to make sure the details match up in a logical way, and that there are no gaps that will create empty or transparent pixels. Selecting a region changes the language and/or content on and Cropping the Layers Transforming and Cropping the Layers ![]() To return to a linear curve at any time, right-click (Windows) or Control-click (Mac OS) anywhere in the graph and choose Flatten Curve. Right-click (Windows) or Control-click (Mac OS) and choose Delete Control Point to remove a point. You can edit all three channels at once, or choose to edit the Red, Green, or Blue channel individually. To make adjustments to individual points on the tone curve, choose an option from the Point Curve menu, click the Edit Point Curve button, and do any of the following:Ĭhoose an option from the Channel pop-up menu. Note: The Point Curve menu is blank for photos imported with metadata and previously edited with the Adobe Camera Raw tone curve. The setting is reflected in the curve but not in the region sliders. Drag or press the Up and Down Arrow keys to lighten or darken the values for all similar tones in the photo.Ĭhoose an option from the Point Curve menu: Linear, Medium Contrast, or Strong Contrast. Non-raw files such as JPEG or TIFF include the temperate setting in the file, so the temperate scale is more limited.Ĭlick to select the Targeted Adjustment tool in the upper-left of the Tone Curve panel and then click on an area in the photo that you want to adjust. When working with JPEG, TIFF, and PSD files, you work in a scale of -100 to 100 rather than the Kelvin scale. One of the benefits of working with raw files is that you can adjust the color temperature as if you were changing a setting in a camera during capture, allowing a broad range of settings. If you shoot under photo tungsten lights and set the image temperature to 3200, your photos should appear color balanced. For example, photographic tungsten lights are often balanced at 3200 Kelvin. Click the current value to select the text box and enter a new value. You can also set a specific Kelvin value in the Temp text box to match the color of the ambient light. Move the slider to the left to make the photo appear cooler, and right to warm the photo colors. Use Temp to fine-tune the white balance using the Kelvin color temperature scale. Temp or Temperature sets how yellow/warm or blue/cool your photo looks. Preview, export, and upload web photo galleries.Work with web gallery templates and settings.Work with print job options and settings.Open and edit Lightroom Classic photos in Photoshop or Photoshop Elements.Export to hard drive using publish services.Correct distorted perspective in photos using Upright. ![]()
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